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Your Personal Shopper: Civil War Repro Prints

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For years I've been saving pictures of quilts and fabrics from the past. Now instead of adding them to my computer's memory (or my own personal brain) I pin them to my Pinterest boards.

https://www.pinterest.com/materialculture/chrome-yellow-past-perfect/

Late 19th-early 20th c; Pennsylvania.
The Christ Collection

These are all from my Past Perfect: Chrome Yellow page

Antique block


When I see an accurate reproduction print for quilts I've been pinning those too.

Inspired by Susan McCord, print to be delivered in 2017.
The Henry Ford Museum has a repro series.

Online auction. Pennsylvania colors. Is yellow the neutral
or is there no neutral?

Chrome yellow repro prints aren't often offered. A lot of people won't buy yellow.... Remember, It's not our taste, it's theirs we're trying to copy. 19th-century quilters loved chrome yellow.

From Sunny Boy Sam by Dover Hill.
The circa 1900 ditsies are the easiest to find.

Earlier print from the 1820-50's,
Harder to find repros for this era in chrome yellow.

I've also been doing a guest blog for the Fat Quarter Shop. Every other week we do a Flashback Friday on repro prints currently in stock. See the first post here:
http://fatquartershop.blogspot.com/2016/12/flashback-friday-paisleys-madder-orange.html

We've got one scheduled for this Friday.



A Grand Army Quilt

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Grand Army Autograph Quilt attributed to Anna Morgan,
date-inscribed 1888-1890

I showed a detail of this quilt a few months ago. It was recorded in 1988 by the Arizona Quilt Project at a quilt day in Yuma, It seems to have been brought to Arizona from Washington State. Photos and a short description are posted on the Quilt Index.

67" x 88"

The owner inherited it from an aunt about 1960. We assume it remained in the family of Anna Morgan. It is interesting that the name Grand Army quilt also remained in the family.

Suzanne reminds me to explain that the largest Union veterans group was the GAR (the Grand Army of the Republic). This quilt must have something to do with that organization.



There are 32 blocks placed on point. Each has an insignia of some kind in the'center with names on the diagonal and on the square along the edges.


This photo of the same quilt may be from the 
Antiques Roadshow TV show in 2002

I did a search in the Library of Congress's newspaper site for "Grand Army Quilt" and came up with something quite similar to the Morgan quilt. The National Tribune, a veteran's newspaper, mentioned a GAR get-together in St. Johnsbury, Vermont, in 1885 where a "Grand Army quilt" was used as a fundraiser.
"We also had a Grand Army quilt, composed of 20 blocks of fine bleached sheeting. A Maltese cross of red was sewed on the center of every block, and two stars and two crescents on diagonal corners. Twenty ladies each took a block, and solicited contributions from the gentlemen in sums from 10 cents upward, the lady raising the most money receiving the quilt usually; but we varied this by giving it to the gentleman who gave the most on a square. One generous individual gave $20, and received the quilt."
I would guess that Anna Morgan was not the quilt's maker here, but the recipient or related to the recipient who won some kind of fundraising competition.

http://www.quiltindex.org/fulldisplay.php?kid=67-EC-884

Threads of Memory: PDFs and Paper Patterns

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You may recall the Threads of Memory Sampler Block of the Month we did here in 2014.

Each month featured an original star design on the Civil War theme of the Underground Railroad.

One of Dustin's stars

Lots of you stitched the 12" blocks---original pieced stars--- named for important places from Britain to Lancaster County where the UGRR network assisted slaves on the road to freedom.

Flo's

Jo Tokla's Threads of Memory

Becky and I did several set designs. Many, like Jo, made up your own version.

Jean Stanclift's version with stars in the sashing cornerstones.

Becky Brown's, pieced in my Ladies' Album repro fabric line.

I published the patterns here on the CivilWarQuilts blog with any templates in JPG format. Over the years I've had requests for pattern reprints. Some quilters want a PDF with all the pattern information on one page that they can print out. 

Others ask for a paper pattern to be mailed to them.

Here's a sample of the b&w paper pattern 
sheet you'd get in the mail.

This cold December I've had the time to reprint the patterns in those two formats and post them to my Etsy shop. You can buy an instantly downloadable PDF with the 12 patterns and a few set ideas. Or you can order a paper pattern for those sheets, sent through the mail.
Each pattern package contains 15 pages:
  • patterns for the 12" blocks with rotary cutting & templates as needed, 
  • Introduction
  • Yardage sheet 
  • Setting suggestions
Patchwork of Life
The instructions include this unpieced sashed set.


The pattern sheets do NOT contain the story. I'll keep the Underground Railroad history stories posted up here on the blog. Each pattern sheet gives you a link to that extended history of people and places. The blog also shows you many quilts completed by readers who sewed along in 2014.

Here's a link to the list:



Go to my Etsy Shop to purchase these. There are two listings,
one for a paper format, one for a downloadable PDF.


PDF $15 US
Paper Patterns $22.50 US

And if you absolutely want to do things the old-fashioned way you can order the paper patterns by sending me an email.
MaterialCult@gmail.com

The price for the paper patterns is $22.50, which includes US postage. 
World wide postage: Add $5.
You can pay me with a check in the mail. (I'll tell you where to send it.)
Or Pay-Pal. (I'll tell you where to post it.)

Madison Star by Becky Brown

Block with curved piecing by Jean Stanclift
I’d rate the blocks as a requiring a little more skill than a beginner would have. The piecing could be a challenge but many readers reported stretching their limits and learning new techniques such as curved piecing and paper piecing.

Nonie's version of a block with curved piecing
(and some spectacular fussy-cutting)

The Blocks
1 Portsmouth Star
2 Mercer County Star
3 New Garden Star
4 Canada Star
5 Madison Star
6 Salem Star
7 Oberlin Star
8 Jacksonville Star
9 Lancaster Star
10 Britain's Star
11 St Charles Star
12 Rochester Star

Rosemary's

Here are the links to the two formats:
Instant download PDF
https://www.etsy.com/listing/484994362/threads-of-memory-civil-war-quilt?ref=shop_home_active_1

Paper through the mail:
https://www.etsy.com/listing/498491037/threads-of-memory-civil-war-quilt?ref=shop_home_active_5
Jeanne's




Stitching Soldiers' Quilts at the Cooper Institute

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Gulielma Field taught art at the New York School of Design for Women during the Civil War. The curriculum was designed to teach women skills in drawing and engraving for employment by publishers, printers, manufacturers. The school was housed in the new Cooper Institute building, still standing at 7th Avenue and 3rd.

Gulielma (it's a Quaker name---Mrs. William Penn's name) was first a student at the school in the 1850s and became a teacher of engraving. According to Alice Donlevy, one of her students, she also insisted her students learn to quilt.

Patient and Matron Anne Bell in a Nashville Hospital, 1863
Collection: U.S. Army Center of Military History

During the War Dr. Edward Curtis* asked his mother Julia Bowen Bridgman Curtis (one of the school's founders) if some lady might "organize the making of old-fashioned patchwork quilts" for his patients. He was sure that "many soldiers died in the hospitals of home-sickness."

The top floor was well lit during the day.

"Gulielma asked a Quaker family for the quilting frames, and Peter Cooper [of the Cooper Institute] for the room. ...Under her guidance many patchwork quilts were made during the Civil War, in an upper room in the Cooper Institute, where the students of the Art School came to quilt for any half hour they could spare after lesson times....

Illustration of a quilting bee, the kind of mechanical reproduction
the students at the art school were trained to produce.

She opened the every-day quilting bee with poetry," wrote Alice Donlevy in a remembrance of Field.
*I'm assuming the Dr. Curtis mentioned is Julia Curtis's son Edward who was an army surgeon in 1864 and 1865.
The reference to Gulielma's quilting room is an article by Alice Donlevy, "Quaker History and Biography: Guliema Field, Pioneer Painter" in Friends' Intelligencer, 1915.

Read it here at Google Book



And read more about Alice Heighes Donlevy (1846-1929) and the school here in a preview of chapters 1 and 2 from April F. Masten's Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York


Westering Women 12: Road to California

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Westering Women Block 12:
 Rocky Road to California by Denniele Bohannon

Mountains in the far western United States create a large desert region by blocking clouds and moisture from falling on the eastern slopes. This rain shadow formed a formidable landscape that had to be crossed before settlers found homes along the Pacific coast with more rain and cooler temperatures.


Trails forked near Fort Hall about 1300 miles from Independence, Missouri. The yellow cutoff road goes south to Sacramento, California. The main orange trail continues north along the Columbia River to the Oregon Territory.


In 1854 Sarah Sutton found the Oregon branch of the trail less crowded than the cutoff.
"Here we had to part with two good hands, that started for Calefornia. We were all loth to part with each other but the best of friends must part, such is life. What a great change in roads. Now the gras is near two feet high on each side of the road and not trampt down with stock. There is but few going to Oregon."
The California bound followed the Humboldt River through the desert over the California mountains to Sacramento. From Independence to Sacramento was about 2000 miles.


Daniel Jenks recorded the journey in his 1859 sketches, which can be viewed at the Library of Congress.

Along the Humboldt
A few details show clothing styles and romance.




In memories of her 1847 trip Emma Ruth Ross Slavin told her family of romance and a honeymoon:
 "There was one marriage in our Co. After bride and groom retired to their wagon a party of men and boys hauled the wagon 1/2 mile from camp and left it there."
The Humboldt River soon disappeared into the Humboldt Sink and travelers faced a stark obstacle, the 40 Mile Desert. On the other side: The legendary Pacific Coast.

Currier & Ives print of California's coast.

Women on their way to the California gold fields.

By the time the immigrants arrived in their new homes they were worn out, malnourished, sunburnt and dressed in rags. During the first decades of the trail clothing was a valuable trade item. Coastal tribes were glad to trade salmon to hungry travelers for garments and blankets.

In 1853 Mary Woodland in Oregon wrote her mother about her wardrobe:
"Had it not been for trading our clothes with [Indians] we should have been hungry many a time. I parted with a good many of mine and threw the rest way so...I had no clothes at all when I got into Oregon...."
 Rocky Road to California by Becky Brown

We recall the last grueling weeks of the trail with Rocky Road to California, a popular late-19th-century block.


BlockBase #1693a with that name was published by the Ladies Art Company about 1890. I also once saw a sampler quilt with names stitched to each block. This one was called Home Queen. Different shadings have been published with different names, several having to do with travel.

 Cutting a 12" Block

A - Cut 2 squares 4-1/2".

B - Cut 4 squares 4-7/8". Cut each into 2 triangles with a diagonal cut.
You need 8 triangles.

C - Cut 12 squares 2-1/2".
Sewing the Block

Ragged and worn you may be but congratulations on arriving at the end of your journey.

Read Mary Woodland's letters online here:
http://www.oregonpioneers.com/Woodland_Letters1852.htm

And Emma Ruth Ross Slavin's memoir; Pioneer of 1847

Daniel Jenks's drawings at the Library of Congress:

This is the last of the free patterns for Westering Women. I'll leave them up here on the CivilWarQuilts blog for the next six months or so. I'm going to turn them into downloadable PDF's and paper patterns that you can order from my Etsy Shop. I'll let you know when they are ready for purchase.

A Small Civil War Battle in Winchester

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This week's post concerns a smaller battle than the other three for which
Winchester, Virginia is known.

Abby Gibbons

Sarah Gibbons Emerson recorded this story about a problem with local Secessionists during the Union Occupation of 1864 in her book about her mother Abby Gibbons. Abby worked with the Sanitary Commission bringing relief supplies to Union troops in Virginia, Winchester residents had stolen some of their supplies.

Market Street in 1861 with Confederate Soldiers marching.
The town was occupied and  re-occupied.
"A friend called to say that stores deposited by me at the Relief Rooms in Market Street, had been taken by one Atwell Schell, a member of the church and greatly respected by the Secessionists of the town. We called on the Provost Marshal and stated the facts. He was prompt in giving assistance and allowed us two of his guard, bidding us to use them as we thought best. It was his first day of command."

Abby and her daughter are the seated women here at Fredericksburg

It was not Abby Gibbons's first day of command.
"Accordingly, upon reaching the house of Atwell Schell, and, after being denied a quiet surrender of the stores, I took command and directed one of the guard to remain with my companions below, while I accompanied the other upstairs; the lady of the house being of the party by invitation, to see that we  took our own property only. 
"While I turned out chests and trunks, and dragged out large bags from under beds and lounges, Atwell Schell put in an appearance, stationed himself against a panel of a door, but not a word did he say. Our goods had been packed with much neatness and care, and covered with their own quilts. Everything was turned out, and package upon package rolled down stairs, until a high stack was formed in the centre of the parlor. There was every variety of garment, bedclothes, delicacies for the sick — such as sugar, tea, chocolate, farina, arrowroot, gelatine, and corn-flour and barley in large packages.  
"We found many of our [liquor] bottles (empty, of course, but such as were not to be found in all Winchester). They had been filled with the best stimulants for the sick, but not any of it had been so appropriated — not even to their own Rebel men. No. The citizens of Winchester had stolen it ;  
"As I drew out the many heavy packages, the female present — who was either daughter or daughter-in-law of the said Atwell, and, as I afterwards learned, an accomplice in the theft — exclaimed with great vehemence,  'Did you ever hear of such an impudent woman?' 
Abby replied:
'And what do you have to say of the woman who took these goods and appropriated them to her own purposes? In New York, we should pronounce it theft and punish the transgressor!' 
 "Enough, perhaps, that we once more possessed our goods. We were not long in making them over to the 32nd Ohio Regiment, whose guard came to the rescue, and whose sick so much needed them.... Prudence admonished us to retreat the next day."
I couldn't find an Atwell Schell but perhaps the battle was with the Shell or Shull Family of Winchester.


Drawing of Winchester by James E. Taylor
Collection: Western Reserve Historical Society

See more about Abby Gibbons at this post from the past year:
http://civilwarquilts.blogspot.com/2016/10/abigail-hopper-gibbons-civil-war-nurse.html

Way West Set for Westering Women

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Diane's set for her Westering Women blocks.

She used her own version of the alternate Way West set.
See the instructions here:


This set was inspired by several images. One is an old pattern which is usually seen going North instead of West


Fourth Corner Molly calls it Tree House and says that pattern historian Wilene Smith traces it to a 1907 issue of Hearth & Home magazine, which published it as Toad Stool.


A new trend is the idea of putting all the sampler blocks on one side of the quilt and doing something else (or nothing) on the other side of the quilt.

Like Liesel Rautenbach's Modern Sampler.


Split Personality by Thomas Knauer

Way West

More sets next Wednesday.

Birds in the Air Pattern & A Poetic License

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Birds in the Air
See the free pattern below.

Question from a beginning quilter:
"I'd like to do an Underground Railroad quilt but I am confused about the Quilt Code. I don't want to fall into the trap of assuming escaping slaves used quilts to help them with maps, etc. Can you suggest a simple pattern with some meaning?"
The problem with using symbolism and Underground Railroad quilts is that there is no evidence anyone ever made a quilt as a map or guide for escaping slaves. This doesn't mean we cannot make quilts with meaning to us about historical issues. I wrote a book about ten years ago called Facts & Fabrications: Unraveling the History of Quilts & Slavery to give quilters ideas on how to use traditional patterns to tell the story of slavery. One of the blocks is Birds in the Air.

Birds in the Air
Pieced and appliqued by Barbara Brackman
Machine Quilted by Rosie Mayhew
2006, 47" Square.

The pattern is a traditional design that goes back to the 1840s. One name, published about 1940, was Birds in the Air, a perfect theme to recall the idea of freedom.

Coats and Clark or Spool Cotton
published the pattern and the name.

During the 1930s the WPA project interviewed people who'd been born into slavery. One of my favorite quotes is from Edward Taylor who remembered the last days of the Civil War.
 "I used to hear the white folks reading the paper about the war and reading the Yankees beat them, and I wondered what in the world is Yankees. I thought they were talking about the birds of the air or something."
Perhaps the blue birds are the Yankees and emancipation.


Read more about the history of the quilt block and its names at this post:

You could print this poetic license, which is on page 9 of Facts & Fabrications.
It gives you permission to add a layer of symbolism to your quilts.

The block is a good one for a beginning quilter because it's simple piecing and simple applique. It would look good in Baltimore Blues, my recent reproduction fabric collection.





Here's the pattern from the book:

To Print:
  • Create a word file or a new empty JPG file.
  • Click on the image above. 
  • Right click on it and save it to your file. 
  • Print that file. 
  • Add seam allowances when you cut the leaves.
Cutting a 15" Block
A. Cut 4 squares 4-1/4" x 4-1/4"
B. Cut 4 rectangles 4-1/4" x 8"
C. Cut 4 squares 3" x 3" and 5 contrasting squares the same size for the center 9 patch.
D. Use the template to cut 12 leaves.

47" Square Quilt
4 Blocks Finishing to 15"
3" Finished Sashing.
    Cut 4 strips 15-1/2" x 3-1/2"
    Cut 1 Square 3-1/2"

7" Finished Outer Border
    Cut 2 strips 7-1/2" x 47-1/2"
    Cut 2 strips 7-1/2" x 33-1/2"

See the quilt on page 94 of Facts & Fabrications: Unraveling the History of Quilts & Slavery , by Barbara Brackman (C&T Pub. 2006)

Here's a short preview of the book.
https://www.amazon.com/Facts-Fabrications-Unraveling-History-Quilts-Slavery/dp/1571203648

You can buy a print edition here:
http://www.ctpub.com/facts-fabrications-unraveling-the-history-of-quilts-slavery-print-on-demand-edition/


Traditional Sets for Westering Women

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Barbara Schaffer's blocks in two pictures
Lots of stitchers have finished all 12 Westering Women blocks.
But few have got their tops finished.

Jeanne, however, whipped this out soon after the last block posted last month.


And Rina in Catania, Italy is finished with hers.
She doesn't have access to many repro prints in Sicily.

Both used the "official set" although Rina added an inner border to pick up the lighter colors in her blocks (looks like it might finish to 1-1/2" or 2"). A good balance of darks, mediums and lights.

Denniele's almost done.
She used 2-1/2" finished sashing strips.
Blue strips cut 12 1/2" x 1" (Cut 62)
Cream strips cut 12 1/2" x 2" (Cut 31)
Blue cornerstones cut 3" square (Cut 20)

Links to other posts on sets:
http://civilwarquilts.blogspot.com/2016/11/sets-for-westering-women.html

The Slave Trade Toile

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Traite des Negres [The Slave Trade]
Designed by Frédéric Etienne Joseph Feldtrappe
1820s. France.
The Metropolitan Museum of Art

This roller-printed toile with scenes of the slave trade is rather rare. You can tell it is roller printed due to the shorter repeat of about 15-18" rather than the full meter or yard repeat you'd see in a copperplate print.


The Met's online catalog shows it the best I have seen it pictured.
The colorway might be described as plum or purple.

From the catalog at the Metropolitan Museum of Art
"Frederic Feldtrappe produced this textile in the early nineteenth century during a moment of intense debate in France over the viability and morality of the slave trade. Of the four narrative scenes, two reference earlier paintings by English artist George Moreland and contrast the brutality of European slave traders with the kindness of Africans who minister to a shipwrecked European family. The other two scenes, based on engravings by Frenchman Nicolas Colibert, juxtapose a happy African family with the appearance of European traders in Africa. Their cache of trade goods (including textiles) ominously foreshadows the horrors of the traffic in human beings."

Bed with brown hangings in the pattern.
at the History Museum in Nantes, France

Read Cybèle T. Gontar's A Fashion for Abolition
And more about it in French


Here's a blurry example in a gold.

Yankee Diary: Introduction to Carrie

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Caroline Cowles Richards Clarke (1842-1913)
 at the time of her diary.

Next Wednesday we begin the 2017 Block of the Month:
Yankee Diary. Here's some information about the diarist.

The United States before the Civil War

Carrie lived in upstate New York, under the red arrow by the Canadian border. The light blue states are the Free States, the dark blue the Slave States, and the gray areas were the "West".


Kansas was a frequent topic in the Ontario [County]
Repository newspaper in the late 1850s.

Where I come from in Kansas we think the Civil War began in 1854, the year Congress established the Kansas/Nebraska Territories and gambled their future as slave states or free states on the votes of the first citizens. 

By 1854 the U.S. had become two cultures, a North focusing on industry and a South on agriculture based on slave labor. Extending either culture into the Western territories brought a crisis to a head. Within seven years the two cultures were at war.

Carrie and Anna soon after their mother died.

Caroline Cowles Richards grew from a girl to a woman in those seven years.

Carrie's Maternal Grandparents

In 1854 she was twelve, living with her younger sister Anna and her mother's parents Abigail Field (1784 -1872) and Thomas Beals (1783-1864).

Carrie's Parents
 Elizabeth Beals Richards (1814-1846) & James Richards (1813-1875) 

The girls' mother had died when Carrie was almost five and Anna was an infant. Both parents suffered from chronic diseases. Elizabeth had tuberculosis and James was an alcoholic with bi-polar disorder. A peripatetic Presbyterian minister, he left them to be raised by their grandparents who were in their early seventies.

Carrie and Anna were fortunate in their mother's parents who raised them with the steady hand of old time Congregationalists confident in the ways of their religion.  Brothers James and John were not so lucky and spent their childhoods in a home with a bedridden mother and their adolescence following their father as he alienated congregation after congregation with his drinking and manic episodes.

Older brother John Morgan Richards (1841-1918) wrote an autobiography
in which he recalled his father's death from a fall in Scotland in 1875.
Daughter Pearl Richards Craigie (1867 – 1906) was a well-known 
English novelist who wrote under
the name John Oliver Hobbes

Family disgrace was not mentioned in Carrie's diary, at least in the version published a century ago. But her extended family was remarkable and written records about them abound. (See the books & documents below.)

Newspaper accounts and a pamphlet warned 
congregations against hiring Carrie's father.

Her father Reverend James Richards II was publicly censured. The problem was not only his alcoholism but also his refusal to accept responsibility. His manic periods were as outrageous as his alcoholic binges.

James II was the son of a well-known minister and chose to follow in his father's footsteps after he met Elizabeth Beals who had vowed to marry a minister and only a minister. An old school friend of Elizabeth's told Carrie: 

"She hoped we would be as good as our mother was. That is what nearly every one says." 
A bust of Elizabeth Beals Richards who died at 32.

After being compared to her mother once too often Carrie wrote,
 "I think children in old times were not as bad as they are now."
How much did Carrie know about her father's problems?  He visited. When Carrie was about 10 he took the girls "to the store and told us we could have anything we wanted---stick candy, lemon drops, bulls' eyes, rubber balls, jumping ropes with handles, hoops and jewelry.

They corresponded often. When she was 13 he sent a box of fruit from his post in New Orleans. She wrote "a little 'poetry'" back. He sent her money and Gulliver's Travels with a gold image of Gulliver on the cover. "Grandmother did not like the picture so she pasted a piece of pink calico over it so we could only see the giant from his waist up."

Welcome to Canandaigua
Photo from the New York Public Library collection.

The diary begins in 1852 when she was 10 and settled in Canandaigua, a prosperous city only a few decades older than she. Her grandparents were well-to-do community founders. Aunts, cousins and other relatives lived there comfortably to give Carrie and Anna an extended family.

Aunt Ann's house still stands

Carrie's diary. published to give us a nostalgic view of small town American life, reveals glimpses of contemporary issues before and during the Civil War. With careful reading we can see slavery's resonance in a Yankee state, family tragedies and the importance of New York as a center for women's rights and abolition.

Like her niece Pearl Craigie, Carrie had a talent for writing and a sly wit. Her diary is full of fun as well as sorrows. Following her will be an enjoyable mid-19th-century journey.

Links to publications about Carrie & her friends and family:

Diary of Caroline Cowles Richards, 1852-1872
The diary is still in print and has been published many times under different names. You can buy it as a printed, bound book and in chldren's editions. The first publication was 1908, I believe.

I like this 1908 digital version with photographs:

A 1913 edition at Google Books:
Village Life in America, 1852-1872: Including the Period of the American Civil War. as Told in the Diary of a School Girl.

Download it in various forms here:

And this is just plain text for a quick search.

About Carrie's Immediate Family:
Her Father

The Documents in the Case of James Richards.

Her Brother John's Memoir:
With John Bull and Jonathan. Reminiscences of Sixty Years of an American's Life in England and in the United States by John Morgan Richards.


Her paternal grandfather's family:
Before the Throne of Grace: An Evangelical Family in the Early Republic by Laura S. Seitz and Elaine D. Baxter. This is available only as a bound book. It contains letters from her parents.
http://www.syracuseuniversitypress.syr.edu/fall-2006/before-throne.html

Pearl Richards Craigie in 1902

Niece Pearl Richards Craigie's biography by her father, Carrie's brother:
The life of John Oliver Hobbes: told in her correspondence with numerous friends

To say nothing of the Fields Family, her grandmother's distinguished brothers....

About Carrie's Friends & Their Quilts:
Jacqueline Atkins, Shared Threads (New York: Viking Studio Books, 1994)

Shelly Zegart Old Maid/New Woman.

The Ontario County Historical Society has some of the quilts and many photos related to Carrie, plus her piano.
http://www.ochs.org/objects/

Alamance County Donates Quilts to the Cause 1862

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Union Hospital

Much of the information about women and quilts for Civil War soldiers is about the Union states, due to the extremely organized Sanitary Commission, which recorded so much about donations.

Detail of a flag of the 6th Infantry, North Carolina

I found a Southern reference from the Raleigh, NC Semi-Weekly Standard in December, 1862, which listed "Donations to Company K 6th Reg't, N.C. State Troops by Pleasant Grove District, Alamance, collected and carried to Virginia by Lieutenant Levi Whitted."

This may be the Levi Whitted who delivered the donations
to the soldiers in Virginia.

"Mrs R S Barnwell, 1 quilt [This is probably Mary Barnwell 1833-1878]
L W Simpson, 1 quilt
Smith Rasco, 1 quilt
Mrs W A Walker, 1 quilt
Egbert Corn (free Negro), 1 quilt
Ned Corn (free Negro) 2 quilts
Dixon Corn " 2 blankets
Mrs. K Tate, 1 quilt
Mrs. A Harvey, 1 quilt"

Now of course we want to know more about those people, particularly that Corn family. Fortunately, Lisa Y. Henderson has done some genealogical work:

In the 1860 census, Alamance County:
Egbert Corn, mulatto, no age given, farmer, shared a household with 
Lem Jeffries, mulatto. 

Also, in adjacent households: 
Ned Corn, 60, and children 
Martha, 28, 
Ebra, 27, 
Thos., 24, and 
L. Corn, 22, 
C. Anderson, 23;

Dixon Corn, 64, 
Wife Tempy, 65, 
A.J., 27, 
Giles, 24, 
Frank, 18, 
J. Mc. Corn, 5,
 Bill, 15, 
Haywood, 12, J
John, 18, 
Jackson Heath, 26.

You know Dixon did not really donate those two blankets. It was wife Tempy. And Ned did not make the two quilts. Perhaps daughters Martha and Ebra did the sewing.

Women workers at the Alamance County Cotton Mill

Alamance County was home to one of the largest Southern cotton weaving mills. Edwin Holt's Alamance County Cotton Mill was established in 1837. They specialized in plaid and striped woven fabrics. Perhaps the donated quilts contained fabric from the local mill.

Late 19th-century quilt of Alamance plaids from
the collection of Colonial Williamsburg:

Much more about the Jeffries/Corn family

Buying Paper Patterns for Yankee Diary

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 I know some of you are at a contretemps with your printer.



As a former special education teacher I have long believed that offering you free quilt patterns on the blog would motivate you two to get along. You'd become a more sophisticated citizen of the 21st century. I wouldn't have to spend hours in a page layout program trying to get the 4" pattern to print 4".

But I am giving up.


If you want to buy the paper patterns for the Yankee Diary BOM through the mail I am offering the patterns in three sets of four throughout 2017 in my Etsy store.

NOTE: I will still post them as free patterns on the blog here starting tomorrow, January 25.

January through April are available now for $10 (includes US Postage). You get 7 sheets, 8-1/2" x 11", black & white with pattern pictures, cutting and sewing instructions. Plus a little bit of the Yankee Diary story. A very little bit.

https://www.etsy.com/listing/493172538/yankee-diary-bom-civil-war-quilts?ref=shop_home_active_1

You'll get the patterns before the other blog readers do. Don't spoil their surprise---unless they beg.

You can also buy the first four patterns in a downloadable PDF for $6 at this listing and print it yourself---but this involves a truce with your printer.

https://www.etsy.com/listing/506664289/yankee-diary-bom-civil-war-quilts?ref=shop_home_active_3

One reason I don't do these as PDFs on the blog is I have no cloud to post the PDFs on.

Whine, whine, whine.
Too much work.

Every time I float them on someone else's cloud the cloud changes and the URLs are no good anymore. Plus it's more work to make a PDF than it is to just give you a JPG.

 But I am bowing to overwhelming public demand. Two or three of you have requested a PDF and several have asked for paper patterns or a book(!) No book.

The PDFs are easier to save on your computer than a blog post. You can save the paper patterns in a notebook.

I'll post the next 4 patterns (May-August 2017) at my Etsy shop in May, 2017.
I've also made PDFs and paper patterns for BOM's from earlier years.
Westering Women and Threads of Memory.
Look in the pattern department at my Etsy store.

You can tell your printer you won.

I'll post the Etsy Shop links each month with the patterns.

Yankee Diary Block 1:Tulip & Liberty

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Block 1: Tulip & Liberty. 
Part 1 The Tulip by Becky Brown

Part 2: The Word Liberty

Caroline Cowles Richards

In April, 1854, while her husband was out of town, Abigail Beals sent granddaughters 12-year-old Caroline and younger Anna on a mission to Butcher Street in the African-American neighborhood. They were to invite Chloe Colbert* to dinner. "I think Chloe was surprised, but she said she would be ready tomorrow ... when the carriage came for her."

View of Canandaigua in 1858 by Carrie's friend Augustus Coleman.
Pictures are from the Ontario County Historical Society's collection.
http://www.ochs.org/photo-album/

Chloe once had been a slave in New York. The girls advised Grandmother she might, "rather invite white ladies, but she said Chloe was a poor old slave and as Grandfather had gone to Saratoga she thought it was a good time to have her. She said God made of one blood all the people on the face of the earth."

The two women were perhaps united by an old friendship or sense of obligation. Their guest "had a nice dinner, not in the kitchen either."

Block 1: Tulip & Liberty. Part 2 Liberty by Denniele Bohannon

We forget that New York, so far from the Mason-Dixon line, was a slave-holding state when Chloe Colbert and Abigail Beals were young. The laws emancipating enslaved people in New York were complex. Essentially, every enslaved person was to be freed in 1827, fifteen years before Carrie was born, but the 1830 the census still listed 75 slaves.

Purple counties listed enslaved people in the North
30 years before the Civil War. Chloe lived in Ontario County (blue).
From Armchair Atlas

The year before Carrie's birth her paternal grandfather Reverend James Richards Sr. acknowledged that he was still a slaveholder in 1841. "I can only say that there is a coloured woman in Newark N.J. who according to the laws of that state stands in the relation of a slave to me." The complexities of freeing enslaved people in the North dictated that this unnamed woman had been born too soon to ever be legally free. Although she may have lived as a free woman for much of the 19th century, she remained James Richards' legal property in New Jersey.

Austin Steward

Chloe lived on what is now Granger Street in Canandaigua with the town's other African-Americans---former slaves and free blacks. One neighbor was schoolteacher Austin Steward who published his autobiography Twenty-Two Years a Slave, and Forty Years a Freeman in 1857.

Poster announcing an August West Indies Emancipation celebration
in neighboring town, Geneva, New York. Geneva Historical Society

Steward recalled an annual celebration in the neighborhood, August First, the anniversary of emancipation in the West Indies. Soon after Carrie came to live with her grandparents, Canandaigua's black community invited Frederick Douglass to head the speakers' roster at the 1847 celebration. Celebrants gathered on the grounds of the village Academy to hear speeches and music and then "marched to the Canandaigua Hotel, partook of a sumptuous dinner, provided by the proprietor of that house." 

Antislavery convention in 1850 in Cazenovia, New York.
Frederick Douglass is seated at right.
Read more about this photo here:

After more speeches all "repaired to the ladies' fair, where they found everything in a condition which spoke well for the enterprise and industry of our colored sisters. Their articles for sale, were of a choice and considerate selection, and such as sold rapidly and at fair prices." Funds raised at the ladies' fair went to pay the speakers' fees. This fair may have been organized by the "Colored Ladies Anti-Slavery Sewing Circle of Canandaigua," whose name was recorded in 1843 when they sent $7 to aid Daniel Drayton, jailed for organizing a slave escape in Washington City.


Carrie's diary, edited as a sentimental view of small town American life, gives us only a glimpse of slavery's resonance in a Yankee state. Canandaigua, the nostalgic village of old-time harmony, was home to several radicals, abolitionists, and activists who helped slaves escape to nearby Canada. The courthouse was the site for landmark trials over Native American rights, escaped slave's rights, anti-Masonic hysteria and the trial of Susan B. Anthony in the 1870s for trying to vote.

Block #1 Tulip and Liberty

Block 1: Tulip & Liberty. 
Part 1 The Tulip by Denniele on a navy blue background.

The single stem floral design was popular with applique artists in the 1840s and '50s, although rarely noticed then and now. 

Four versions of the single stem tulip from New York quilts. There must have been
some meaning and importance to this recurring image.  See more about the floral at this post:

Tulip by me

Here's the pattern as a JPG.
Cut a rectangle of background fabric 9-1/2" x 12-1/2"

To Print:
  • Create a word file or a new empty JPG file.
  • Click on the image above. 
  • Right click on it and save it to your file. 
  • Check to be sure the size is correct and that it fits in a 12" wide rectangle. The red shape should measure just about 7" from top to bottom.
  • Print that file. 
  • Add seam allowances when you cut the fabric.

This month's pattern also includes a finished 12" x 3" strip with the word Liberty. The diagram shows their placement in the irregular set. The strip above Liberty could be adjusted to fit a larger word.
 You have to wait for months 4, 6 and 12 to set the first blocks.

Perseus Bradbury's wool table cover.

The word can remind us of Daniel Webster's 1830 speech, which became a rallying cry for Unionists before and during the Civil War: "Liberty and Union, now and forever, one and inseparable!" Liberty has many meanings, one thing to Daniel Webster, another to Chloe Colbert.

I appliqued my letters.

Cut a strip of background fabric 12-1/2" x 3-1/2".
Here's a pattern.
The word should print out 1-1/2" inches tall and 7-1/2" long.

Other options:
I like the free-form look of the appliqued letters---but you may not want to applique 1-1/2" letters. You can do them any size but they should fit inside a 3" x 12" finished strip.

Denniele has embroidered hers.
You could also ink yours.

Here are some alternate designs. Each  pattern JPG should print out 7" x 3". Center the word on your 12-1/2" strip, trace it and embroider or ink.



This prints out 11" x 3"

Becky has a treasure, something she found in her Great-Grandmother's trunk: a strip of fabric with the word printed on it. She has printed it onto pre-treated cotton and is incorporating it into her quilt. She thought you might want to print that too so she sent a photo.

What that little banner meant to her Great-Grandmother is a mystery. Perhaps someone wore it.

Cased photo from the early 1860s, sold at
Cowan's Auctions


And finally - you could piece those letters. Click on the link to see a pattern for larger letters (3") that you can buy as a PDF from FromBlankPages on Etsy. Piece them at 3" and adjust the space later.


You can buy a paper pattern for the first four months from me at my Etsy Store
https://www.etsy.com/listing/493172538/yankee-diary-bom-civil-war-quilts?ref=shop_home_active_1
Or a downloadable PDF
https://www.etsy.com/listing/506664289/yankee-diary-bom-civil-war-quilts?ref=shop_home_active_3
.
Links

Read about New York's most famous manumitted slave Sojourner Truth here:
http://quilt1812warandpiecing.blogspot.com/2012/03/7-isabella-baumfree-wool-slavery-in-new.html

*Carrie does not mention Chloe's last name but she is probably the wife of Lloyd Colbert. She was listed in the 1850, 1855 & 1860 censuses in the city. This Chloe Johnson Colbert was born in 1781 in New Jersey and probably died during the Civil War. She was just a few years older than Grandmother who was born in Madison, Connecticut.
http://web.co.wayne.ny.us/wp-content/uploads/2016/10/Genealogies_Part2.pdf

Emma Hurd's 1886 Union Crazy Quilt

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I made a visit to our local Spencer Museum of Art at the University of Kansas and they had this lovely crazy quilt on display.


I'd seen it several times but I hadn't focused on the GAR patch before.
The initials stand for Grand Army of the Republic, the largest Union veterans' group.

The quilt is signed in paint 1886, Emma Hurd, Maquon, Illinois.
The painting on silk is impressive.

I remember when we accepted that quilt before the age of the internet. Perhaps I can find out more about Emma now and her connection to the GAR.

The catalog tells us quite a bit as it was her family who donated it.

Emma Housh Hurd 1858-1936
Born: Haw Creek, Illinois. Died: Peoria, Illinois.


Maquon is in Knox County, which is red in the above map. Peoria is in Peoria County in gray & Bureau County is in aqua.

Her middle initial was F. we know from her grave in the
Maquon Cemetery. She was born and buried in Knox County.

In 1886 Emma's husband  was Franklin Pierce Hurd  (1858 - 1928) who'd been born the year after President Pierce's four-year term. She had two young children under five, Jay Clinton & Addie, and had just given birth to a second daughter Caroline. One can imagine this quilt took a few years to finish.

Maquon's school about 1900
The building was opened in 1866 so Emma and her children may have attended.

From her mother Addie Ouderkirk Housh's 1928 obituary in the Galesburg Register Mail, we learn that the family was originally from upstate New York and that the widowed Addie lived with daughter Emma in LaMoille, Illinois for the last five years of her life. Emma's mother Addie died about 8 years before Emma. Emma's father Andrew Clinton Housh died in 1923. He was born in Greencastle, Indiana in 1834. He and Emma's brother E. Lafayette Housh were  bankers in Mequon.


LaMoille is in Bureau County, Illinois near Ottawa. It seems this is where Emma lived in the 20th century.
See some old photos of LaMoille here (but couldn't find any of Emma's family):
http://www.jaysontuntland.com/Historical/Historical-Photographs/La-Moille-IL/


George Washington was a somewhat popular image on crazy quilts.
.
I haven't had much luck in figuring out Emma's connection to the GAR.
Her father and her husband (far too young) do not seem to have been soldiers.

86th Regiment Illinois Volunteer Infantry

This patch above might have been  important to Emma or perhaps one of her friends or family gave her the patch. An uncle maybe.



Colonel James D. Housh and Private Jacob Housh from Maquon attended the 1887 reunion
of that regiment in Peoria, as did Adam Housh & Thomas Housh. These men were Emma's uncles, her father's brothers.
Of Emma's three children Jay and Caroline lived into the 1960s. Addie died at about 11 years old in 1895. Perhaps while Emma was working on this quilt.

See Emma's quilt at the webpage of the Helen F. Spencer Museum of Art at the University of Kansas.

Westering Women: Links to BOM Quilt Patterns

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Block 1 Independence Square
http://civilwarquilts.blogspot.com/2016/01/westering-women-block-1-independence.html

[THE LINKS WERE NOT WORKING BUT I THINK I'VE FIXED THEM ALL.]

Here are links to all 12 Westering Women blocks from last year.
All the blocks are from reader Star2Tia. A nice bunch of blocks, don't you think!

Block 2 Indiana Territory
http://civilwarquilts.blogspot.com/2016/02/westering-women-block-2-indian-territory.html

She used a good deal of my reproduction fabric, mostly from the Old Cambridge Pike line.

Block 3 Sweet Gum Leaf
http://civilwarquilts.blogspot.com/2016/03/westering-women-block-3-sweet-gum-leaf.html
Block 4 Lone Elm

http://civilwarquilts.blogspot.com/2016/04/westering-women-block-4-lone-elm.html

Block 5 Platte River

http://civilwarquilts.blogspot.com/2016/05/westering-women-5-platte-river.html

Block 6 Hill and Hollow

http://civilwarquilts.blogspot.com/2016/06/westering-women-6-hill-and-hollow.html

Block 7 Courthouse Rock

http://civilwarquilts.blogspot.com/2016/07/westering-women-7-courthouse-rock.html

Block 8 Chimney Rock

http://civilwarquilts.blogspot.com/2016/08/westering-women-8-chimney-rock.html
Block 9 Sage Bud

http://civilwarquilts.blogspot.com/2016/09/westering-women-9sage-bud-for-fort.html
Block 10 Rocky Mountain Chain

http://civilwarquilts.blogspot.com/2016/10/westering-women-10-rocky-mountain-chain.html
Block 11 Bear's Paw

http://civilwarquilts.blogspot.com/2016/11/westering-women-11-bears-paw.html


Block 12 Road to California

http://civilwarquilts.blogspot.com/2016/12/westering-women-12-road-to-california.html

I will leave those links with free patterns for 2017 but you may prefer to buy them in another format. If you would like to have the patterns as PDF's you can download and print the set of 12 blocks. I also can mail paper patterns to you (U.S. Postage included). Here are links to patterns in my Etsy Shop:

Instant Download PDF $15

Paper Patterns Through the Mail $22.50.

Below are posts for the introduction, fabric requirements and sets.
http://civilwarquilts.blogspot.com/2016/01/westering-women-block-of-month-2016.html

And a link to Star2Tia's Flickr posts
https://www.flickr.com/photos/35612903@N03/

Pocahontas Virginia Gay's Confederate Memorial Quilt

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Embroidered wool quilt by Pocahontas Virginia Gay, 
(1831-1922) Virginia. 
Estimated date after 1901-before 1922
Collection of the National Museum of American History, the Smithsonian

Last week I showed a Union Crazy Quilt. This week one with Southern sympathies. It's a little bit crazy but probably could better be defined as an embroidered and appliqued quilt.

Ms. Gay was descended from Pocahontas of Virginia's Powhattan tribe (1595?-1616) who famously married English colonist John Rolfe. "Aunt Poco" and her parents must have been proud of that Virginia heritage. She also left no doubt of her loyalty to the Lost Cause of the Confederacy with her portrait of Confederate President Jefferson Davis in her early-20th-century quilt..

At top left: PV Gay's signature, 
American Presidents Andrew Jackson
& George Washington plus Jefferson Davis.
Last week's Union crazy quilt also had a portrait of Washington.

From the Smithsonian's website:
"Pocahontas based her motifs on popular illustrations of sentimental vignettes and Southern heroes, as well as the Victor dog trademark adopted in 1901 by the Victor Talking Machine Company. Proud to be a seventh-generation descendant of Pocahontas and John Rolfe, she included a likeness of the Indian princess as she appears in a 17th-century engraving frequently reproduced in genealogies.Pocahontas Gay, or “Aunt Poca” as she was known to family, was born in Virginia on September 5, 1831. She was the daughter of Neil Buchanan Gay and his wife Martha Talley. She never married and lived at Mill Farm in Fluvanna County, Va. She died on October 14,1922."

A farm in Fluvanna County.

Pocahontas Gay left a little bit of a paper trail, indicating she did not spend all her life at the family farm. In 1897 a Richmond newspaper printed an article about a board meeting of the Virginia State Hospital for the Deaf and Blind at Staunton.


"Miss Pocahontas Gay, of Basic City, was made seamstress and monitor over the deaf girls."


 We can assume she was living in the Staunton area while she taught sewing at the school. She would have been in her late sixties then. The story indicates she resided in Basic City, part of Waynesboro/Staunton.


When she died in 1922 at the age of 92 her obituary said she'd been living in Richmond and was buried at the Gay Cemetery on the family's Mill Farm near Fork Union.

The Fork Union Bank in the early 20th century.

Another detail of the quilt shows a dog treeing a raccoon.
Political imagery or just local sport?

Finishes: Westering Women

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Stitch&Knit posted a picture of her finished Westering Women quilt
(she quilted it by the block each month)

She used many fabrics from a repro line Terry Thompson and I did years
ago called Lewis & Clark. Perfect for a Western trek.
(The color is better in the top picture.)

I've been lurking, copying photos of finished Westering Women tops.
I've done a litle Photoshopping, squaring things up, brightening, etc.

Big Lake Quilter

 They look great.

Lynette

Rebecca at Quilting Everyday

Joanne at Thread Head

What a variety.

Terry framed each block, which is a good way
to wrestle sampler blocks into a uniform size. Make some frames wider than others.
The blocks with their frames all finish to the same size.

Sandra at Patchwork Daydreams

Congratulations to the Finishers!

More finishes here:
http://civilwarquilts.blogspot.com/2017/01/traditional-sets-for-westering-women.html

Sheriff Jones Loses a Quilt in the Kansas Troubles

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A "Kansas Troubles" pattern from the 1840s or '50s.
Collection of the Helen F. Spencer Museum of Art
Could that name for this pattern be as old as the mid 1850s when
the Kansas Territory was full of troubles.

Kansas Troubles: Name from the 
Nancy Page syndicated newspaper column in the 1930s

This may be a photo of Samuel Jones (1820-1885)

Samuel Jones was the Sheriff of Douglas County, Kansas, from mid-1855 to early 1857. He's one of our hometown villains in Lawrence, a Border Ruffian who lived in Missouri but established a bogus residence in the Kansas Territory to influence the question of whether we'd become a slave state or a free state. Jones, born in Virginia, was heavily invested in the concept of a slave state.

Samuel Jones established a pig farm in Douglas County and was appointed Sheriff by the pro-slavery territorial governor. While Sheriff he helped Missourians burn several businesses in the town of Lawrence, including the newspaper.

In the fall of 1855, while he was "on military duty in Lawrence," his livestock disappeared, "stolen, lost, and wholly destroyed to him by parties to him unknown." The thieves also stripped his cabin of household goods, his sacks of beans, a coffee mill and quilt "worth $5 or $6," according to neighbor Elizabeth Parks. Also missing: "one piece calico worth $1.25."

Four years later Sam Jones petitioned the territorial government to reimburse him for claims of $179.10 for his losses during what was called the Wakarusa War. By 1859 free-state men were in the ascendancy and Jones had resigned as Sheriff and moved to New Mexico where he'd been appointed collector of customs. He and his wife lived near Mesilla where he practiced law and land speculation. 


Samuel Jones signature on the right:
A Mesilla Mining Stock Certificate.

Jones was awarded $139.15, less than he'd requested. "The proof of the existence or loss of portions of the property claimed as lost is meagre and unsatisfactory."

Soon after Fort Sumter Jones was among a group of Confederate sympathizers who established a short-lived Confederate Territory of Arizona with Mesilla as it's capital. He was Marshall of the seceding area made up of parts of the New Mexico and Arizona territories. He died sometime after the 1880 census in Mesilla, probably about 1885.

How we view the Border Ruffians in Lawrence

It's hard for a resident of Larryville to sympathize with Sam Jones over the loss of his shoats or his quilt, but I bet his wife Mary C. Jones, living in Westport, Missouri during the Kansas Troubles, was not pleased when she heard about her Virginia keepsake.

Don't even get these guys at a GAR Union reunion in Lawrence
started about Sheriff Jones.

Many tales survive of quilts stolen by raiding soldiers during the Civil War. In Kansas we think of the Wakarusa War in which Jones lost a quilt as the first battle in the Civil War. Jones's claim for reimbursement is evidence of how wide spread the quilt-napping was.

Kansas Troubles variation from about 1890

Next time you see a quilt in the pattern Kansas Troubles, remember that period of civil unrest, which was national news in the 1850s but is now forgotten by most (except for us residents of Lawrence, Kansas.)

See more about the Kansas Troubles with a pattern here:
http://civilwarquilts.blogspot.com/2011/01/5-kansas-troubles.html

To see more of the Spencer Museum's quilt go to this link and search for the words Kansas Troubles.
https://www.spencerart.ku.edu/collection

Stella Rubin has a Pennsylvania antique for sale.

Dequita's Three Finishes

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Dixie Diary by Dequita Burns

Dequita's been busy. She's recently finished three sampler tops from the BOM's offered here. And each has her own personal take on a sampler. The Dixie Diary blocks with the appliqued stars become background for the more graphic setting blocks here.

Westering Women by Dequita

The landscape print

She writes on Instagram that the fabric for the alternate blocks is Pioneer Spirit by Tom Browning.



On some of the alternate blocks she's appliqued the wagon design "On the Trail," designed by Marjorie Rhine at Quilt DesignNW

On the Trail by Marjorie Rhine

Threads of Memory by Dequita


Very impressive! It's certainly fun to see what stitchers do with these patterns.

I now have all three of these sampler designs available as downloadble PDF's or paper patterns through the mail in the pattern department of my Etsy Shop.
https://www.etsy.com/shop/BarbaraBrackmanShop?section_id=20633915
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