Quantcast
Channel: Civil War Quilts
Viewing all 1030 articles
Browse latest View live

Label for Westering Women

$
0
0

Brenda reminded me that I hadn't made a label for your Westering Women quilts. So here it is.
The black box is about 3" x 4-1/2".


I used an image from a cowboy-themed feedsack with a wagon drawn by horses. I liked the look but remember those westering wagons were pulled by oxen.

To Print:

  • Create a word file or a new empty JPG file. 
  • Click on the image above. 
  • Right click on it and save it to your file. 
  • Print that file onto pretreated fabric.
    Ellen at LittleJewelQuilts
    Ellen's top is done. 



    A Quilt for General Grant from Herkimer, New York

    $
    0
    0

    Eagle quilt, late 1860s.
    Civil War Commemorative.

    The eagle in the center of this quilt holds a banner with the words:
    "Free and unfettered our Eagle shall soar. The reign of oppression forever is o'er."

    The quilt was found in the West Virginia Heritage Quilt Search.
    Click here to see the record:

    It had been given to the owner's grandmother with the story that the top had been stitched by an unknown woman from Herkimer, New York.
    "She had great admiration for General Grant and in the late 1860's designed and made this quilt expecting to give it to the then President Grant. She died before it was quilted (after working for two years on it) and a Mrs. Mae Petrie, who had given her a home, presented it to the owner's grandmother. The 39 stars represent the number of states in the Union in 1868. The top 13 represent the original colonies. The oak leaves are for strength and the laurel leaves for victory, and the words are for the freeing of the slaves. The ensign is the United States government."


    This must be the "ensign" that stands for the U.S. Government. It's an unusual image, a furled flag that may be a bud. Like the poetry, this might be original to the quiltmaker.

    When we were working on my first book about Civil War quilts Terry Thompson made this imaginative quilt she called Union Star. She included the furled flag ensign in the center left.

    Below is the caption from
    Quilts From the Civil War.



    Apparently the family had the original top quilted later. The applique looks like an unfinished design---the maker needed another year or two. The center is so detailed and impressive, one would guess she had equally elaborate plans for a border.

    Herkimer County is in the center of upstate New York,
    the town of Herkimer is between Albany and Syracuse.

    There are many Petries in 19th-century Herkimer. Perhaps a genealogist can find who was living with Mae Petrie in the mid-1860s.

    Pat's Westering Women

    $
    0
    0

    Pat Styring sent a photo of her finished Westering Women sampler.
    She added some free-form floral applique---
    Broderie Perse---to the blocks.

    And stitched the name of each block in the sashing.


    She says:
    "Each month I looked forward to the new block. Had 'Road to California' not been the name of the last block I might have had space for 'Westering Women' on the front too. Thanks for the fun of thinking about my Nebraska Pioneer ancestors as I sewed."

    The words are appliqued by machine with
    raw edges....

    Something Pat seems to be quite good at.

    Love it!

    Anti-Slavery Boycotts: Sugar

    $
    0
    0
    Quaker Elizabeth Coleman Heyrick  (1769-1831) of Leicester

    In 1824 Englishwoman Elizabeth Coleman Heyrick published a pamphlet titled Immediate Not Gradual Abolition, promoting the idea that slavery should be abolished now rather than in the rosy future.


    Heyrick started activists thinking against gradual emancipation. The concept was radical, not only in its consequences but in the fact that a woman made the proposal. She also proposed that people stop using sugar grown and processed in the Caribbean, the "West Indies", by slaves.

    Sugar cane and slave labor in the Caribbean

    A sugar boycott had been discussed for several decades. Britain outlawed slavery at home but allowed it to continue in the colonies.  


    Activists proposed women substitute East India sugar grown in Pacific islands---what is now Indonesia.

    The Barbarities of the West Indies
    by James Gillray, 1791

    The renewed anti-sugar campaign was a marvel of the politics of protest. Not only did British sugar consumption decrease, a trade in anti-slavery sugar bowls developed.

    R. Henderson advertised he sold an assortment
    of abolitionist "sugar basins."





    A virtual collection of abolitionist sugar basins
    meant to hold sugar not produced by enslaved workers.



    And a tea pot

    Antisaccharrites by Gillray
    The tea drinkers appear to be King George III, Queen Charlotte
    and a few of their many unhappy children.

    "Oh ye who at your ease
    Sip the blood-sweeten'd beverage"
    Robert Southey, Poems on the Slave Trade

    One important aspect of the sugar boycott of the 1820s in England and the United States was that women asserted their power as consumers and reformers. In the year following Heyrick's pamphlet, Englsihwomen established the Birmingham Ladies Society for the Relief of Negro Slaves, assumed to be the first female antislavery organization.

    English Berlin Work
    Royal Museums Greenwich

    According to Beth A. Salerno in Sister Societies: Women's Antislavery Organizations in Antebellum America, by the end of 1833 there were seven female antislavery societies in  the United States, the beginning of a trend to female activism. In 1837 there were 45 female societies.


    "Remember the Slave"
    Coin Purse in the Lynn  [MA]
    Museum & Historical Society.
    See more here:
    https://ordinaryphilosophy.com/2016/04/30/frederick-douglass-lynn-sites-part-2-historical-society-hutchinson-scrapbook/

    Read about anti-slavery needlework at these posts:
    http://barbarabrackman.blogspot.com/2010/11/abolitionist-embroidery.html
    http://barbarabrackman.blogspot.com/2010/11/abolitionist-embroidery-2.html

    Right Makes Might: Block 4

    $
    0
    0
    Jeanne

    Time to look at finished flags, the April, 2017
    block for Yankee Diary.

    Terry

    The print, a repro of a late 19th-c flag print

    Danice

    Daisyusanh

    Kristi

    May is a long month (good thing). Next pattern in two weeks. But I have posted the PDF's in my Etsy store so if you would rather have the May-August patterns right away click on these links

    This link takes you to the $10 paper pattern by mail.


    This link takes you to the $6 downloadable PDF you print yourself.
    https://www.etsy.com/listing/530963363/yankee-diary-bom-civil-war-quilts?ref=shop_home_active_1

    I'm going on a vacation till the end of May so I might not get the paper patterns by mail out until June.

    Free Labor Fabrics & A Few Quaker Quilts

    $
    0
    0
    Detail of a silk patchwork quilt by 
    Quaker Rachel Goodwin Woodnut,
    Salem, New Jersey, 1827-1828
    Collection of the Winterthur Museum.

    In 1832 poet Elizabeth Margaret Chandler wrote about a quilting party in Tecumseh,  Michigan.
    "I was at a quilting last week. There were about twenty girls besides myself and in the evening about the same number of men."
    Elizabeth Chandler  1807-1834

    Elizabeth, a Philadelphia Quaker, took antislavery sentiments with her to the Michigan frontier. These included a boycott of slave-grown cotton. She had promised a gift to her Aunt Jane Howell, but in 1833 apologized:
    "I should like to have sent you thy patchwork by this opportunity, but have not yet got it finished, as sewing cotton run[s] low with us, and I felt unwilling unless compelled by actual necessity to purchase any of the slave manufacture.....I shall not be able to make it the full size as I shall not have pieces enough. It will I expect require a border, perhaps the width or a breadth of furniture calico."

    C was for cotton-field in the 1846 Anti-Slavery Alphabet book

    Free produce cotton, as it was called, was in short supply in the Michigan Territory, She was looking for chintz (furniture calico) and sewing thread not produced in the Americas where slaves suffered to supply the western world with the newly popular fabric.

    Another early silk quilt from the Winterthur's Collection,
    (#1962.0072)
    The maker of this strip quilt is unknown but she was likely a Quaker
    who dressed in silks and wools rather than slave-grown cotton.

    Elizabeth might have made her aunt a silk quilt instead, using the European fabrics that many antislavery Quakers preferred for clothing and patchwork. It was difficult to find free-labor cotton in Michigan or for that matter in Philadelphia, the nation's third largest city.

    Free Labor Store in Mt. Pleasant, Ohio. 
    Quakers maintained a store here
    at 3 different locations from 1848 to 1857.

    Antislavery shoppers could find free-labor sugar, rice, fabrics and other goods at Free Labor Stores. Benjamin Lundy's newspaper the Genius of Universal Emancipation discussed free labor stores in 1832. 


    Above a list of fabric for sale at Lydia White's Dry Goods Store, 42 N 4th  Street in Philadelphia. She "has caused to be manufactured a number of bales of cotton ---the production of free labor---from North Carolina." Lundy also mentioned Jane Webb's Free Grocery Store in Wilmington, Delaware.

     Free Labor Store supposed to be Benjamin Lundy's in
    Baltimore, often said to be the "first", although claims of "firsts" are always dubious.

    I've never seen a cotton quilt with the story that it was made of free-labor cottons, but many silk Quaker quilts survive.

    Center of a wholecloth silk quilt made by Philadelphia Quakers
    Hannah Callender, Sarah Smith and Catherine Smith,
    Dated 1761
    Collection of Independence Hall

    The Smith/Callender quilt is one of the earliest reliably dated American quilts.

    Silk medallion quilt, collection: Smithsonian Institution, mid-19th century

    A note with this quilt indicated it had been pieced of 
    “Wedding and ‘Second Day’ dresses" from the wardrobe of 
    Clarissa or Clara Tarleton Penn , St. Mary’s County, 
    Maryland, who married March 7, 1809.

    Read more about Elizabeth Chandler and Free Labor Stores here at Quaker Quilt History:
    http://www.quakerquilthistory.com/2013/04/elizabeth-margaret-chandler-and-free.html

    James & Lucretia Mott also managed a Free Labor Store
    http://civilwarquilts.blogspot.com/2016/09/lucretia-coffin-motts-quilt.html

    Read more about the Smith/Callender quilt:
    http://www.quakerquilthistory.com/2012/02/18th-century-quaker-marriage.html

    Marsha J. Heringa Mason. Remember the Distance that Divides Us, The Family Letters of Philadelphia Quaker Abolitionist and Michigan Pioneer Elizabeth Margaret Chandler, 1830-1842. East Lansing: Michigan State University Press, 2004.

    Union Baskets

    $
    0
    0
    Basket with a Union Flag
    This extraordinary block is from a quilt in the
    collection of the Indiana State Museum
    by Martha McFeely Fry


    According to family records when the quilt was donated, Martha McFeely lived in Greencastle, Indiana. Sweetheart Benjamin Fry from Fountain County, Indiana, enlisted  in the 2nd New York Regiment, the Harris Light Cavalry.

    Library of Congress

    Martha and Benjamin's letters and diaries from the Civil War years are also in the collection of the Indiana Historical Society.

    New York Historical Society

    https://www.indianamuseum.org/

    Martha's is Quilt A.

    Union by: Kay Ross, 34” x 44”, 2014

    Kay Ross's interpretation of that quilt made for the 2014 American Quilt Study Group exhibit.
    Read more about her process here:



    Julie Silber has shown an antique quilt with a similar flag in a basket. The flag is repeated in the border. The piece is said to have been slave made (Quilt B)

    The two quilts (Martha Fry's on the right) have a lot in common: Same basket pattern although
    the appliqued handles differ a bit. 

    Different basket, similar idea.
    This marvelous sampler is in the collection of
    the Iowa State Historical Society.

    This sampler was donated by a woman named
    Eleanor Orth

    And on the topic of baskets with words:

    Block in a Masonic album sampler from Cumberland County, Maine
    in the Museum of our National Heritage,
    the Scottish Rite Museum.


    Wish you had a pattern for a basket quilt with a flag? Wait till Wednesday.

    Yankee Diary 5: A Union Basket

    $
    0
    0
    Block 5 Union Basket
    by Barbara Brackman
    11" finished basket in a 15" finished block
    My top is at the quilter's.
    Lori Kukuk should be done soon.

    In spring, 1861, Carrie's town was in a patriotic fervor as railroad cars stopped in Canandaigua carrying the first volunteers off to the war.

    From Carrie's diary, May 1, 1861.
    " A lot of us girls went down to the train and took flowers to the soldiers as they were passing through and they cut buttons from their coats and gave to us as souvenirs.

    Dozens of designs for patriotic envelopes were printed.
    "We have flags on our paper and envelopes, and have all our stationery bordered with red, white and blue. We wear little flag pins for badges and tie our hair with red, white and blue ribbon and have pins and earrings made of the buttons the soldiers gave us.

    "The Star Spangled Banner" 
    "We are going to sew for them in our society and get the garments all cut from the older ladies society. They work every day in one of the rooms of the court house and cut out garments and make them and scrape lint and roll up bandages. They say they will provide us with all the garments we will make. We are going to write notes and enclose them in the garments to cheer up the soldier boys. It does not seem now as though I could give up any one who belonged to me.
    Abbie Clark Williams's quilt. 
    Collection of the Ontario County Historical Society

    "The girls in our society say that if any of the members do send a soldier to the war they shall have a flag bed quilt, made by the society, and have the girls' names on the stars."
    Canandaigua's Young Ladies' sewing society was good as their word. When Abbie Clark married Captain George Norton Williams after the war they presented her with a flag quilt. The stars are inked with the names of her friends including Carrie Richards.

    Abbie Clark.
    She looks just like the woman in the 
    Star Spangled Banner illustration.

    Abigail Stanley Clark Williams (1843-1902) was the youngest of four daughters of Myron Holley Clark and Zilpha Watkins Clark. Her father was Governor of New York from 1855 to 1857, a member of the Whig party and an advocate of temperance and antislavery.

     Sisters Mary and Zilpha were also Carrie's friends.

    The stitchers squeezed 36 stars into the blue field on Abbie's quilt, the number of stars on the flag from 1865 to 1867.


    Becky Brown's Basket.
    She added a few leaves.

    Union Basket 

    See last Saturday's post for more information about the inspiration for this basket block.


    Union Basket by Denniele Bohannon.
    Her background is navy blue.

    Denniele's embroidered her words.
    This is the last of the words---
    except for your signature and date of course.

    This month's block celebrates the Union, capturing the spirit of Canandaigua in the first few months of the war. The inspiration is a basket block found in two antique quilts. 

    The block finishes to 15", but the pieced basket is
    actually an 11" finished block, pieced into a larger square.


    Cutting the Basket


    A - Cut a square 9-5/8". Cut in half diagonally to make 2 triangles. You need 1 triangle.
    B - Cut 2 rectangles 2-3/4 x 7-1/8".
    C - Cut a square 5-1/4". Cut in half diagonally to make 2 triangles. You need 1 triangle.
    D - Cut at least 9 squares 3". Cut each in half diagonally to make 2 triangles. You need 18 triangles of various shades.
    E - For the handle cut a strip of bias 19" long x 1" and turn under to finish 1/2" wide. I used an old 45 record as a template for the curve.

    The basket fits on point into a 15" finished block. For the edge triangles cut 2 squares 11-1/2". Cut each in half diagonally to make 2 triangles. You need 4 triangles.

    Letters

    The word UNION should print out 1-1/2" inches tall and 5-2/4" long.
    Add seams for traditional applique.


    To Print:
    • Create a word file or a new empty JPG file. 
    • Click on the image above. 
    • Right click on it and save it to your file. 
    • Print that file. Check to be sure the word is 5-3/4" long. 
    Using the templates cut the letters UNION. (Add seams.) Glue or baste the edges under. Or embroider---or print, paint, etc.

    Flag

    Use a backwards flag from Block 2 (you made 4). Glue or baste the edges under.
    For the flag pole cut a strip 1" x 2". Glue or baste the edges under.

    Sewing


    Applique the handle & letters first to triangle A. 
    Leave the top of the O letter unstitched so you can insert the flagpole later.

    Piecing the basket

    Piece the basket into the edge triangles to make a 15-1/2 " square to finish as 15".



    Applique the flag and flagpole over the basket handle. Close the top of the O as you add the flagpole.



    A sewing society, detail of  a drawing by Winslow Homer.
    Harper's Weekly
    From the Ontario Repository:
    Canandaigua, April, 1861.
    "The Ladies are all for the Union.
    We observed a beautiful flag, with the Stars and Stripes floating from the Observatory of the Ontario Female Seminary. We learn that it was made by the young ladies themselves....
    In spite of the latest Parisian fashions, the tri-colored tints that are borne on our national standard is preferred by the ladies in making up some of the essential articles of their wardrobes....A meeting of ladies was held at the town house....suitable material for a large number of bed ticks was distributed among those present to be immediately made up."


    Becky's block Photoshopped without leaves.
    Look at those letters!


    Dixie Rose

    $
    0
    0
    Block from a North Carolina quilt

    The North Carolina Quilt Project discovered several unusual patterns, including this applique design, which local tradition called the Dixie Rose.


    Quilt by an unknown maker, mid 19th-century.

    Quilt date-inscribed 1855
    made for Laura Brown McCallum, Robeson County, North Carolina

    The only two versions of the design discovered so far are in these two North Carolina quilts, one
    a sampler signature quilt, one a repeat block and both look to be sashed with cording.
    A 1910 novel name "A Dixie Rose"

    We don't know what Laura McCallum and her friends called the design. The term Dixie Rose is quite a Southern tradition, but seems to be found more towards the end of the 19th century and into the 20th as a given name for Southern babies, etc.

    Grave of a woman born in 1924

    When Terry Thompson and I started making Civil War commemorative quilts twenty years ago we were quite taken with the pattern and featured a couple of reproductions in our books.

    Judy Davis made this one from a pattern I drew,
    echoing the use of  fuss-cut paisley cones for the leaves and border
    in the quilt at the top of this page.

    A simpler version by Ilyse Moore
    from another of my patterns.


    Terry did a block for her Southern Memorial Quilt.

    And designed a variation for her
    book Four Block Quilts

    Most of these patterns are out of print and hard to find but the pictures may provide inspiration.
    Print this out at 200% for a rough 16" pattern.

    Here are links to the files at the North Carolina project on the Quilt Index.
    Laura McCallum's Sampler:

    The repeat block version was once attributed to Sarah Williams but in the book North Carolina Quilts the caption says unknown maker. (See the quilts in book plates 3-14, 5-1, 5-2.)

    A post I did several years ago.
    http://barbarabrackman.blogspot.com/2011/08/northern-lilysouthern-rose-block-6.html

    Digital Train Wreck

    $
    0
    0


    My digital pattern business has been a virtual train wreck this past few weeks.

    At least for patterns 5-8 of Yankee Diary.

    And it's all my fault. I went on vacation.

    First I tried to get everything organized in a mad rush before I went to Spain for two weeks. So I mis-numbered the blocks.



    If you ordered a PDF or paper pattern for Blocks 5-8 you may notice that the patterns go:
    5
    6
    7
    9

    9 is really 8. So just cross out that 9 and write 8. Easy enough to fix.


    I tired to fix it in the pattern file when I got back but I was so jet-lagged I have not been able to think straight for a week.
    So I uploaded the wrong file. I think I have finally fixed that and everybody who wanted a PDF got the right file...
    In which the patterns are numbered 5-8.

    https://www.etsy.com/listing/530963363/yankee-diary-bom-civil-war-quilts?ref=shop_home_active_2


    If I were you I'd ignore me for another week.


    Antislavery Fair Crib Quilt by Mary Lincoln Cabot

    $
    0
    0
    Quilt by Mary Hersey Lincoln Cabot (1817-1897), about 1840
    35-1/2" square

    The Hingham Massachusetts Historical Society has in its
    collection this anti-slavery crib quilt in excellent condition.
    It's pieced of two polished cottons or cotton sateens.

     An Anti-Slavery sentiment is inked in the center of each block.

    The block is a square in a square that
    forms a checkerboard when the color is controlled.



    The paper label stitched to the front:
    "This quilt was made by Mary Hersey Lincoln of Hingham for one of the Anti-Slavery fairs held in Boston about 1840. Miss Lincoln was the first preceptress of Derby Academy.
    Presented by her daughter Miss Theodora Cabot"
    Theodora might have been wrong about her mother being first Preceptress of the Derby Academy as it was founded in 1784 and Mary was born in 1817 (The school still exists.)

    Mary was an interesting person, an antislavery suffragist. She married Frederick Samuel Cabot whom she met at Brook Farm, a utopian community in West Roxbury, Massachusetts. Both were residents in 1844. After Mary left, friend Marianne Dwight described her in a letter in September, 1845:
    "I miss Mary Lincoln much. The strange child! No one can accuse her of being a civilizee, for she is one of the least civilized beings I have ever met with. I can't help liking her, I believe her aims are high, ---but perhaps she is so independent as not to consult sufficiently other people's happiness and convenience---she is very childish----a mere baby in some of her ways; and to this I now attribute many of her odd actions. With much purity, she has, it seems to me, very little delicacy for a woman."

    Brook Farm's main building during the Civil War.
    The experiment in communal living lasted from 1840 to 1847.

    Perhaps living in a communal situation was too much for Mary's independent nature.

    Fred Cabot in his early twenties already had a reputation as an abolitionist leader in connection with the Latimer Case. In 1842 Rebecca and George Latimer escaped from slavery, leaving Norfolk, Virginia, for Boston. Latimer was recognized and arrested to be returned to Virginia. Fred led a protest, one of the first actions to demand that a formerly enslaved person in a free state was legally free.



    He and two others founded the Latimer Journal & North Star, a short-lived abolitionist newspaper.

    Mary Lincoln and Fred Cabot married in 1847 and had six children, two of whom died in childhood. They lived in Hingham, Massachusetts. After the Civil War Fred founded the Mill Owners' Mutual Fire Protection Company. He died in 1888 and Mary in 1897. Both are buried in Hingham.

    See Mary Lincoln Cabot's quilt here at the Quilt Index:
    http://www.quiltindex.org/fulldisplay.php?kid=1D-FC-FE

    Read more about the Latimer case and the Latimer family here:

    Thistle Quilters' Westering Women

    $
    0
    0

    The Thistle Quilt Guild in Nova Scotia, Canada, just had their quilt show. This display is all Westering Women samplers.

    Sheila's model



    Sheila, the program director, organized the guild's block-of-the-month last year.


    The thirty or so members followed the monthly blog here and Sheila added a few more blocks to make the quilt larger.

    They all used the traditional set. It's a small guild but obviously they are enthusiastic stitchers.

    Sheila gave them 20 blocks instead of 12.
    I Photoshopped her model to give you
    a wrinkly picture of all 20.

    I am always pleased to have guilds use my BOM's for their monthly programs. The Westering Women pattern began as a BOM for my own guild several years ago.  It's not too late to start Yankee Diary with your guild.

    Quilts Buried With the Silver #3

    $
    0
    0
    Quilt in the collection of the Ohio Historical Society.
    #H5607

    This is not an Ohio quilt. At first glance the cut-out chintz applique
    looks to be a Southern quilt. The caption confirms that regional origin.

    "Quilt made of cotton chintz dates from 1815-1840 and was possibly made in North Carolina."

    When the donor gave this quilt in 1979 she told this story.
    "Nathan Farmin, a Union soldier, found the quilt during a foraging expedition in North Carolina in 1861 and sent it north. He found it in a chest that had been buried."

    Burying the quilt did not keep it safe. But the tale gives us more confirmation that quilts were indeed buried in trunks. And this one survived rather well.
    No reports of silver.

    See more posts about the topic:


    Flags & Baskets & Flags

    $
    0
    0
    Danice has finished Block #5
    The Union Basket

    And Vrooman's Quilts is on her way.


    A few more flags from mid-19th-century albums.
    Fitting a flag into a square, nicely done in
    Mary Nevius Potter's album at the Newark Museum

    Geometry based on five.
    Not always easy.
    Susan B. Rogers's quilt at the Smithsonian.

    Wish I could see what is in the corers of this one from
    a pre-war Rockland County, New York sampler.
    Tassels?

    Next Wednesday, June 28th, Block 6.

    Potholder Quilt: Any Holder but a Slave Holder

    $
    0
    0
    "Good Bye Dixie"

    A few years ago a California blogger wrote a post about a family hand-me-down: A crazy quilt from Beloit (Wisconsin?)

    It's a typical crazy quilt from about 1880-1900, but
    she thought the picture of the freed slaves saying "Good Bye Dixie"
    indicated it was from the Civil War era, twenty years earlier.


    The embroidered image might have been stitched in the 1860s, saved in the later quilt. The image is of a dancing African-American couple seen from the rear. It looks like Berlin work, what we'd call needlepoint, done with wool over a canvas.

    The image of a dancing couple was familiar in the 19th century. They were stitched in front view and rear in potholders with a pun. "Any holder but A Slave holder"

    St Croix Wisconsin Historical Society Collection.
    Shown on Patricia L. Cummings's webpage.

    Chicago Historical Society

    The image is seen as an offensive stereotype today, but in the mid-19th century the "humor" of the pun and the figures indicated an antislavery sympathy.

    The two in the Chicago museum were accompanied with the history that they were sold at one of Chicago's Northwestern Sanitary Fairs (1863 & 1865). Scholars Beverly Gordon and Beverly Lemire agree that these punning potholders originated with the fund-raising fairs during the Civil War. This is just the kind of  quick needlework with a message that children and women did to support the Union cause.

    The Smithsonian owns one that shows how the work
    was done, counted stitches over a coarsely woven fabric.
    The background was not filled in on this example.


    A child named Lena sent a cross-stitched piece to Frederick Douglass in 1882. The embroidery and his thank-you letter are preserved at the Gilder Lehrman Institute of American History at the New-York Historical Society. Lena's caption "Any Holder but a Slave Holder" seems to be a relic of slavery days fifteen years earlier. The piece might have been made in the 1880s or have been an older souvenir.

    The dancing couple continued after the Civil War with celebrations of freedom:

    Cross-stitch on a coarse background from an auction.
    Was it a potholder once the pun was gone?


    It looks like a potholder.

    The "We's Free" variation seems to have been sold as a commercial
    embroidery project.

    "We's Free"
    Cross Stitch on perforated paper
    Collection: Museum of East Tennessee History
    Perhaps one bought this with the image already embroidered. The buyer filled in the background.

    Front and rear of one from an online auction.


    This paper pattern has a date of January 15th, 1865,
    which may allude to the 13th Amendment:

    "Neither slavery nor involuntary servitude..., shall exist within the United States..."

    The amendment was passed by Congress on January 31, 1865.  The piece is probably commemorative, made later.


    It's interesting that these punched paper pieces
    have no embroidery in the backgrounds.

    Back to the quilt at the top of the post:
    I haven't seen another embroidery with the motto "Good Bye Dixie." I'd guess it was a late-19th century piece, probably done about the same time as the crazy quilt. Could it allude to the Exoduster migration about 1880 when thousands of former slaves left the South for lands in the Great Plains?

    See the quilt at


    Yankee Diary 6: Heart and Hand

    $
    0
    0
    Block # 6
    Heart & Hand
    by Becky Brown

    From Carrie's diary, August, 1863.
    "Canandaigua sent Dr. W. Fitch Cheney to Gettysburg with supplies for the sick and wounded and he took seven assistants with him. Home bounty was brought to the tents and put into the hands of the wounded soldiers. A blessed work."
    Frederick Gutekunst photo of a field hospital at 
    Gettysburg July, 1863.
    The photographer sold these images to benefit soldiers' aid.

    Carrie's society and the older women's aid group were busy filling barrels and boxes with medical and comfort supplies for wounded soldiers in the summer of 1863. A month after the Battle of Gettysburg eight men from town headed for the battlefield under the auspices of the Sanitary Commission, the national Union organization dedicated to aiding soldiers.

    A nurse at Gettysburg after the battle mentioned Dr. Cheney's group in a letter published in The United States Sanitary Commission: A Sketch of its Purposes and its Work. She described:
     "a 'delegation' of just the right kind from Canandaigua, N.Y. with surgeon's dressers and attendants, bringing  a first-rate supply of necessities and comforts for the wounded....Canandaigua sent cologne with its other supplies, which went right to the noses and hearts of men." 
    She scented makeshift handkerchiefs with the donated perfume and handed them out as an antidote to the horrible odors in the field hospitals.

    Sanitary Commission headquarters at Gettysburg

    Women also raised funds to purchase hospital supplies, primarily through fairs, which grew increasingly larger in 1864. Grandmother Beals's nephew David Dudley Field and wife Harriet were leaders in managing New York City's Metropolitan Fair.

    The Metropolitan Fair, March and April, 1864 

    The large Fairs were a combination needlework bazaar, museum and commercial exposition. 
    In January, 1864 the New York Times asked for contributions:
    "for temporary loan and exhibition. Connected with the Fair will be a Museum of Paintings. Statuary, Ancient Furniture, Autographs, Articles of Vertu, and Curiosities of every class. They will be on exhibition during the Fair and fully protected against injury."
    Fair secretary Mary Elizabeth Wilson Sherwood remembered the response to their request for "Articles of Vertu.":
    "One of the most curious epidemics was that of an unbounded generosity. Everybody would give away his or her most treasured possession to be sold for the soldiers. I have always been afraid that many rare editions of books, taken from libraries and committed to these fairs, and many an autograph, were sacrificed. Old silver, too, was given with reckless freedom, to be sadly missed afterwards. And none of them brought what they were worth."
    Grandfather Beals was among the generous:
    "April 1 1864. Grandfather had decided to go to New York to attend the fair given by the Sanitary Commission,- and he is taking two immense books, which are more than one hundred years old, to present to the Commission, for the benefit of the war fund."
    His patriotic gesture ended in disaster. Something terrible happened to 80-year-old Thomas Beals while he was in New York City---a fall or an epidemic.

    Thomas Beals
    "April 18.—Grandfather returned home to-day, unexpectedly to us. I knew he was sick when I met him at the door. He had traveled all night alone from New York, although he said that a stranger... on the train noticed that he was suffering and was very kind to him. He said he fell in his room at Gramercy Park Hotel in the night, and his knee was very painful. We sent for old Dr. Cheney and he said the hurt was a serious one and needed most careful attention... 
     "April 19.—Grandfather is much worse. He was delirious all night. 
    "May 16.—I have not written in my diary for a month and it has been the saddest month of my life. Dear, dear Grandfather is dead. He was buried May 2, just two weeks from the day that he returned from New York."
    Carrie and Anna and their brothers "felt that we were losing our best friend."

    We can remember their much-loved grandparents with this heart and hand.
      
    Heart and Hand Block
      
    Block 6
    by Barbara Brackman
    9" x 15" Finished size


    Variations on the heart and hand are an American applique classic. The inspiration is a block in a mid-19th-century sampler from the Flack collection.

    Cut a background rectangle 9-1/2" x 15-1/2".
    Press it in quarters and find the center.
    Cut the templates from the pattern and add seams.
    Prepare the shapes for applique.
    Place on the folded lines in the rectangle as shown in the colored picture.

    To Print:

    Create a word file or a new empty JPG file.
    Click on the image above.
    Right click on it and save it to your file.
    Check to be sure the size is correct and that the dotted line is 7 inches long.
    Print that file.
    Add seam allowances when you cut the fabric.



    With Block 6 we are half-way finished.


    Another family loss in spring, 1864:
    While Grandfather lay ill Grandmother's niece Harriet Davidson Field also caught a fever and died in New York City on April 22nd. The New York City socialite had been a zealous committee woman at the Metropolitan Fair.

    The Fair earned a reputation as fatal in the days when women were considered too frail to work or even volunteer. Fair secretary Mary Elizabeth Wilson Sherwood wrote in her memoirs: 
    "A great many earnest women killed themselves by overwork. A most gifted and rare woman, one of our first humorists, Mrs. C. P. Kirkland, fell dead in the fair building one crowded evening; and Mrs. David Dudley Field died at her own house, just after leaving the fair."

    Caroline Matilda Kirkland, age 64, actually died at her own home on April 5th, the morning after a shift greeting visitors in the Arms and Trophies room. From her obituary:
    "Mrs. Kirkland retired from the fair last evening perfectly well, was well this morning when she rose, but about nine o’clock was seized with apoplexy, and before medical aid could arrive, was dead."
    It might be that Harriet Field and her Uncle Thomas Beals contracted a serious disease spread through the crowds at the Fair.
    (Don't even think about the porta-potties at such a gathering.)

    Speer Family Quilt

    $
    0
    0
    Quilt attributed to Mary Elizabeth Speer Neff.
    Arizona Project & the Quilt Index.

    Nearly 30 years ago the Arizona Quilt Project documented a red and green quilt from the Speer family of Lawrence, Kansas (my home town.) A recent gift from mother to daughter, the quilt had been accompanied by the story that it'd been stitched by a distant aunt Mary Spear (sic) Neff of Lawrence.

    I knew Mary Speer (at least knew of her.) She was the daughter of John and Elizabeth McMahon Speer, local heroes in our Civil War stories. The Speers were victims and survivors of Quantrill's Raid when Confederate Missourians burned Union Lawrence in 1863. Two of the Speer boys were murdered in the raid. Mary was 13 years old when her older brothers died in the attack on the family's newspaper office. 

    Here's the link to the file:

    The border cleverly positions a star flower
     in the blank spaces.

    The quilt is a classic in the pattern we often call Cleveland Tulip or Carolina Lily. The pattern was particularly popular in Ohio, Indiana and Pennsylvania before the Civil War. Mary was born in Medina, Ohio in 1850.

    If she indeed made it the most likely date would be after 1865 when she 15 and before her early death at 36 in 1886. This is possible but there are a few style characteristics that make me wonder if the quilt was made in the 1840s or '50s, possibly by Mary's mother Elizabeth Speer. 

    Although hard to see in the picture,
    the quilting on the Speer quilt is fancy, described as a
    vine and leaf pattern.

    Ohio quilt dated 1846, signed Ogier.

    Quilt dated 1846.
    You can buy this one.

    Detail of a quilt date-inscribed 1847 and
    signed by Parnell Grumley. She also included the
    name "Peony & Prairie Flower". 
    Collection of the Shelburne Museum

    Quilt dated 1840 and signed Agnes Knox.
    Collection of the International Quilt Study Group and Museum.
    Agnes Knox's is the earliest date-inscribed example I've seen.

    Subtle clues like placing the blocks on point; leaving white space for elaborate quilting, and including a fancy border indicate a date before the end of the Civil War.

    Quilt dated 1848 by Susannah Weaver Hall. 
    Douglas County Museum of History, Roseburg OR. 
    Oregon Project & Quilt Index.

    Also from the Arizona project
    with no history, found in an antique shop.


    Documented by the Western Pennsylvania Project.
    All these undated quilts look to be 1845-1865

    Mary's father John Speer was an itinerant newspaperman before he moved to Kansas in 1854, printing and editing papers in Western Pennsylvania, Indiana and Ohio. He married Elizabeth McMahon or McMahan in Corydon, Indiana in 1842.

    West Virginia Project,
    Family thought it to be made for an 1869 wedding.

    Another thing that makes me think that Mary did not make the quilt in Lawrence before her 1886 death is that in the Kansas Quilt Project we saw very few quilts made in Kansas before the 1880s. When we checked on stories we generally found that the mid-19th-century quilts were brought here from eastern states.
    From the Flack Collection

    Did Elizabeth Speer bring the quilt with her when she came to Lawrence in 1855? She was born in Corydon, Indiana and lived in Medina, Ohio before going west to be among the first European- American settlers in Kansas. The pattern was certainly being made in those states in the 1840s and '50s. 

    The Block: Perhaps the Speers called it a Peony 
    rather than a Cleveland Lily.

    I've written about Elizabeth Speer before, including a block for her in my out-of-print book Borderland in Butternut and Blue.

    Elizabeth Speer, about 1870,
    from the Kansas State Historical Society


    I picked the block Mother's Dream (see the arrow above) because Elizabeth's son Robert was presumed to have been killed in the fire at the newspaper office in 1863 but no remains were ever found. For the next twelve years left to her Elizabeth set a plate for him every night at the dinner table, maintaining her dream that he'd somehow come back from that small Civil War battle.

    Whether Elizabeth or her daughter Mary made the quilt, it is a real pleasure to find a link to the Speers and the history of Lawrence.

    Read more about the history of the pattern here:

    More Flags For Inspiration

    $
    0
    0
    Yale Engine Company Quilt, Smithsonian

    It's the Fourth of July, the annual celebration of
     Independence from our colonial masters.
    This one from the at the Smithsonian

    In designing the Yankee Diary quilt I looked at a lot
    of mid-19th-century samplers with patriotic blocks.
    Here are a few examples of flags fit into some small blocks for album quilts.

    Margaret Day's Sampler, Smithsonian

    Another solution for a rectangular flag in a quilt of
    square blocks.
      

    We're finished making flags for this year's Block of the Month.
    But these rejected flags might inspire you to make your own sampler.

     Nickols collection at the Mingei Museum.

     Baltimore Album classic

    Another Baltimore album, a mourning flag over
    Watson's grave. Photo from Julie Silber.

    Maybe the 1870s

    Corner of a silk Star of Bethlehem
    Kansas City Museum

    From the Houston Museum of Fine Arts:
    Red white and green

    This one from Julie Silber's inventory in red, yellow and green.

    Stolen Coverlet from Stonewall Jackson's House

    $
    0
    0
    "This piece of coverlet belonged to Col. E.W. Penny taken out of
     Stonewall Jacksons house after the U.S. Civil War xx in 1865."
    The tags says E.W. Penny, 1142 High Street, Topeka Kansas
    From an online sale.

    Elijah W. Penny (1839-1919 ) was a Union veteran from Indiana. In later life he was called Colonel Penny but the regimental history lists him as a Lt. Col. in the 130th Indiana Regiment.

    Penny is well documented. He lost an arm in August, 1864 in Atlanta and was back in the field in two months, a distinction that earned him some attention. He fought with four different units (listed below) and was mustered out in December, 1865, in Charlotte, North Carolina.

    He returned to Indiana where he married Sarah J. Williams and engaged in various occupations such as marble merchant and tobacco merchant. They had two children, Edwin A. Penny and  Rosella O. Penny Jones. The children lived in Colorado in the early 20th century.  After receiving his pension towards the end of the century Elijah and Sarah moved to Kansas. There are records of him in Goodland near the Colorado border and Topeka at the eastern end of the state.

    The souvenir coverlet is showing up in small pieces.
    This one is 2" x 1-3/4"

    Penny was quite active in the GAR and he and Sarah are also mentioned in records of WRC veterans' events in Kansas. Sarah died in 1914, and Elijah in 1919.

    Jackson's Lexington home is now a museum.

    It is thought that this coverlet was stolen from the Lexington, Virginia, home of the late Thomas Stonewall Jackson in the months after the war was over. Jackson had lived in the house for about three years before the war began while he taught at the Virginia Military Institute. After his death in 1863 his wife Mary Anna Morrison Jackson moved home to her parents' house in Lincolnton, North Carolina.

    Anna Jackson and daughter Julia,
    possibly in the late 1870s

    Dealers selling pieces of this coverlet think it likely to have been taken from Jackson's empty house at the end of the war. Whether Elijah Penny was in Lexington, Virginia, is not known but one can imagine many ways a relic of Stonewall Jackson would be prized by a Union soldier. Jackson might have had a special meaning for Penny as Stonewall also lost an arm, but was not as fortunate. The Southern hero died a few days later.

    Lexington, Virginia, mid-19th century

    Elijah W. Penny's units

    6th Regiment Indiana Volunteer Infantry 
    Company D, 39th Regiment, Indiana Volunteer Infantry 
    Company A, 130th Regiment, Indiana Volunteer Infantry 
    Department of the Cumberland, 23rd Army Corps, Army of the Ohio

    Heart & Hand Blocks: Keeping Up with Yankee Diary

    $
    0
    0
    Block 6 from Yankee Diary

    I got my Yankee Diary quilt back from machine
    quilter Lori Kukuk.  Stars & bubbles.


    I wanted whimsy and I got it.

    I found some other finished blocks for #6.

    Denniele's

    Jeanne's

    Danice's

    KristiJoy


    Jeanne's 1 to 6. Looking very good on red.


    Viewing all 1030 articles
    Browse latest View live


    Latest Images